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Black & White Artist Premier

Premiere and Party for the year’s top Oscar contender!

The State Theatre is returning to the days when one of our town’s most anticipated events was the opening of a new film. The Artist, nominated for 10 Academy Awards, offered the perfect excuse to roll out the red carpet so, we’re inviting you to not just a movie premiere, but a Premiere Party! Dress up in your black-and-white best (semi and formal attire or period dress) and follow the search light to The State where we hope you’ll join us complimentary Champagne, red carnations for the first 75 ladies, an organ concert, courtesy of Mr. Darrell Tucker, and so much more. Join us for a gala, one-night return to the ’20s, and experience a movie premiere the way it was done back Hollywood’s heyday! Admission is only $10 for a truly unforgettable night out on the town!

The Artist Opening Night

& Gala Premiere Party Fri. Feb. 10 Doors & Party at 6; film at 7 p.m. The Artist, the winner of three Golden Globes (Best Picture – comedy or musical; Best Actor in a Comedy or Musical (Jean Dujardin); and Best Original Score), a leading nominee (12) for the BAFTAs, and one of the most celebrated films of the year is coming to The State. As the transition to talkies gets under way in 1927, a silent movie star (Dujardin, declareed Best Actor at Cannes 2011 for this performance) who will soon be on his way down meets an extra (Bérénice Bejo) who will soon be on her way up. Michel Hazanavicius (OSS 117: Cairo, Nest of Spies) wrote and directed this black-and-white film without spoken dialogue. With John Goodman, James Cromwell and Penelope Ann Miller. “Here is one of the most entertaining films in many a moon, a film that charms because of its story, its performances and because of the sly way it plays with being silent and black and white.” – Roger Ebert “This is not a work of film history but rather a generous, touching and slightly daffy expression of unbridled movie love. Though its protagonist mourns the arrival of sound, The Artist itself is more interested in celebrating the range and power of a medium that can sparkle, swoon and suffer so beautifully that it doesn’t really need to have anything to say.” – A.O. Scott, The New York Times